Every collection

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By style 13

Big Type 13 Display sizes past 80px, often as the only image on the page. The tell of a confident scale is that the small text still holds up next to it. Minimal 9 Minimal is a spacing decision before it is a colour one. These sites earn the quiet with a strict type scale and a radius they never break. Type-Based 8 Typography is the interface. Font choice, weight pairing and line length are doing the job a photo would do elsewhere. Dark 8 Dark interfaces live or die on their neutrals: the good ones keep a hue in the greys so the page reads as one material rather than black with things on it. Light 5 Light sites have nowhere to hide. With no dark ground to lift a card off, spacing and type weight do all the work, and you can see exactly how much. Illustrative 5 Illustration sets the palette here, and the UI tokens follow it. A good case study in deriving a system from artwork rather than the reverse. Motion 5 Sites where movement carries meaning: scroll-driven reveals, transitions that explain state. The X-ray reads the durations and easings off the DOM. Colorful 5 More than two brand hues on one page, and still legible. The decoder shows which of these pass contrast and which are coasting on charm. Grid 2 Layouts that make the grid visible, or nearly so. Column counts, gutters and how they collapse are the whole design here. B&W 1 Black, white and nothing else, which makes contrast the only variable left. Every one of these passes AA by construction. Experimental 1 Layouts that break a convention on purpose. Decode them for the mechanism, then decide whether the convention was worth breaking. Creative coding 1 Canvas, WebGL and shaders as the visual layer. The CSS underneath is usually stricter than the surface suggests. Gradient 1 Gradients as material, not decoration: backgrounds, buttons, sometimes text. Worth decoding for the stops, which are rarely what they look like.

By industry 11

Entertainment 4 Entertainment sites are allowed to be loud. The interesting ones stay loud and still keep a readable scale underneath. Video 4 Video brands have to out-design their own footage. Every one of these answers with display type at poster scale, so the question worth asking is what holds the frame when a still is moving behind it. Productivity 3 Productivity products compete on calm. Muted surfaces, one primary action per view, and type scales built for reading rather than impact. Hardware 2 Hardware sells an object, so the photograph is the hero and the interface gets out of its way. Decode these for restraint: how few elements sit over the product, and how hard the type works to stay out of the shot. Creative Tools 2 Tools for designers are judged by designers, so the interface is the pitch. Expect systems that are unusually consistent about radius and spacing. Developer Tools 2 Developer tools sell to people who will inspect the source. Dark by default, mono in the details, and a bias toward density that consumer sites avoid. Ecommerce 1 Commerce pages are judged on one path: find the thing, believe the thing, buy the thing. Look at how early the primary action appears and how little competes with it once it does. Food & Beverage 1 Food and drink brands lean on photography and warm palettes. The token work is in the neutrals that let the imagery carry. Marketing 1 Marketing sites are built to convert, which makes them honest about hierarchy: the primary action is never in doubt. Fintech 1 Fintech has to look trustworthy before it looks interesting. Watch how restrained the palettes are, and how much work a single accent does. Portfolio 1 A portfolio is a design system with one client. The freedom shows in the type choices; the discipline shows in whether the grid survives mobile.

By type 4

By platform 3

Pairs that recur 12

Two facets at once, listed only where three or more sites share the pair. Two would be a coincidence, not a collection.

By month added 3

Sliced by date, not popularity: we do not rank what we have not measured.

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