Every collection

40 ways into 20 sites.

The same gallery, cut along four axes and along the pairs that recur. Every collection is a real page with its own render grid; the line under each is what we would tell you to look for. Counts are live from the gallery, never typed in.

By style 13

Minimal 13 Minimal is a spacing decision before it is a colour one. These sites earn the quiet with a strict type scale and a radius they never break. Dark 8 Dark interfaces live or die on their neutrals: the good ones keep a hue in the greys so the page reads as one material rather than black with things on it. Big Type 7 Display sizes past 80px, often as the only image on the page. The tell of a confident scale is that the small text still holds up next to it. Colorful 7 More than two brand hues on one page, and still legible. The decoder shows which of these pass contrast and which are coasting on charm. Illustrative 3 Illustration sets the palette here, and the UI tokens follow it. A good case study in deriving a system from artwork rather than the reverse. Type-based 3 Typography is the interface. Font choice, weight pairing and line length are doing the job a photo would do elsewhere. Gradient 3 Gradients as material, not decoration: backgrounds, buttons, sometimes text. Worth decoding for the stops, which are rarely what they look like. Grid 2 Layouts that make the grid visible, or nearly so. Column counts, gutters and how they collapse are the whole design here. Motion 2 Sites where movement carries meaning: scroll-driven reveals, transitions that explain state. The X-ray reads the durations and easings off the DOM. Experimental 2 Layouts that break a convention on purpose. Decode them for the mechanism, then decide whether the convention was worth breaking. Light 1 Light sites have nowhere to hide. With no dark ground to lift a card off, spacing and type weight do all the work, and you can see exactly how much. Creative coding 1 Canvas, WebGL and shaders as the visual layer. The CSS underneath is usually stricter than the surface suggests. B&W 1 Black, white and nothing else, which makes contrast the only variable left. Every one of these passes AA by construction.

By industry 8

By type 4

By platform 4

Pairs that recur 9

Two facets at once, listed only where three or more sites share the pair. Two would be a coincidence, not a collection.

By month added 2

Sliced by date, not popularity: we do not rank what we have not measured.

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